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Netflix tracks your on-app activity to understand your preferences and gives you tailor-made content to binge on. Your history on Netflix creates the green match percentage you see on all movies and shows!

What is the Netflix Rating system and how does it work? All you need to know about the ratings and what they’re based on. Here’s Netflix Explained.

The Netflix rating system essentially started with a star rating (1 to 5 stars). If you can’t remember these days, you’re too young.

However, the user rating has taken a new shape since 2017, changing to Thumbs Up and Thumbs Down, kinda like Tinder.

You have the choice to rate before or after viewing the content. This feature was added to check your interest or intent in watching the content showing in your library.

When rating a show as Thumbs Up or Thumbs Down, Netflix learns more about your interests and will give you custom content accordingly.

For example, if you gave “Stranger Things” a thumbs-up, Netflix will suggest similar shows. Furthermore, Netflix can show you more from Stranger Things’ own Millie Bobby Brown, so expect to see “Enola Holmes” in your suggestions list.

On the contrary, if you give a “Stranger Things” a Thumbs Down, the Netflix system will learn that this isn’t your jam and will stop showing it in your library. Don’t worry, they don’t take things too personally.

If you’re not up for disappointment and time-wasting content, rating shows will get you one step closer to absolutely fitting shows and movies.

The Netflix rating system is also responsible for the 98% Match or 60% Match green labels you see beside each movie or series. (see below)

What does the Match percentage on Netflix stand for? In this section, I’ll be discussing the very misunderstood percentage that you see on the screen.

To clarify, this percentage is not based on movie critics or Netflix reviews. The percentage has nothing to do with how good the movie or series is. This percentage is Netflix’s own estimate on how fitting this show is to you.

The same movie that can get a 90% match on your Netflix can get a 60% match on mine. Why is that? Because our viewing habits are unique. For example, if you watch horror shows, “The Haunting” might get a 97% match on your list. If your friend watches cooking reality shows, “The Haunting” will have a way lower match percentage.

Not saying that you aren’t unique, but other Netflix users have similar viewing habits and interests as you do. With that said, Netflix has put you in the same pool with them and will use their interests to help set you up with the perfect match and detect a suitable match percentage for you. In return, you play a role in the percentage of others by just being you!

Did you know that Netflix shows you personalized thumbnails instead of a standard movie poster?

Netflix also uses your viewing history and taste to show you thumbnails that are more appealing to you! In fact, each movie or show has different thumbnails that can change in real-time and update.

What does that mean?

You see a different thumbnail to a show than I do. You might also see different thumbnails of the same show as time goes by. Whoa!

“Peaky Blinders” has always been suggested to me using actor Cillian Murphy’s face as a thumbnail. I’ve always seen it while browsing Netflix searching for shows, but never cared enough to start watching it.

Netflix sees an opportunity and takes it:

After binge-watching “The Queen’s Gambit” in a single day #SueMe, the ‘Peaky Blinders’ thumbnail, directly changed to actress Anya Taylor-Joy, the star of “The Queen’s Gambit”. That is to say, Netflix used the photo of the lead character from “The Queen’s Gambit” to promote “Peaky Blinders” that Anya has only appeared in one season of. Sneaky, but I like it.

I’m now on the verge of watching “Peaky Blinders”. They got me!

Here’s what Netflix wrote about their suggestions system: “The more you teach us about your unique tastes, the better job we can do suggesting your next great binge-worthy show or that perfect title for movie night”.

To sum up, the Netflix rating system works to give you the best experience based on the genres you watch, your ratings, your viewing history as well as other Netflix members with a similar taste.

A gazebo is a pavilion structure, sometimes octagonal or turret-shaped, often built in a park, garden or spacious public area.[1] Some are used on occasions as bandstands.

The etymology given by Oxford Dictionaries is "Mid 18th century: perhaps humorously from gaze, in imitation of Latin future tenses ending in -ebo: compare with lavabo."[2] L. L. Bacon put forward a derivation from Casbah, a Muslim quarter around the citadel in Algiers.[3] W. Sayers proposed Hispano-Arabic qushaybah, in a poem by Cordoban poet Ibn Quzman (d. 1160).[4]

The word gazebo appears in a mid-18th century English book by the architects John and William Halfpenny: Rural Architecture in the Chinese Taste. There Plate 55, "Elevation of a Chinese Gazebo", shows "a Chinese Tower or Gazebo, situated on a Rock, and raised to a considerable Height, and a Gallery round it to render the Prospect more complete."[5]

George Washington had a small eight-sided garden structure at Mount Vernon. Thomas Jefferson wrote about gazebos, then called summerhouses or pavilions.

Gazebos are freestanding or attached to a garden wall, roofed, and open on all sides. They provide shade, shelter from rain and a place to rest, while acting as an ornamental feature. Some gazebos in public parks are large enough to serve as a bandstand.

Gazebos overlap with pavilions, kiosks,[6] alhambras, belvederes, follies, gloriettes, pergolas, and rotundas.

Such structures first appeared in Egyptian gardens approximately 5,000 years ago and appear in the literature of China, Persia and other classical civilizations.[citation needed]

Examples in England are the garden houses at Montacute House in Somerset. The gazebo at Elton on the Hill in Nottinghamshire, thought to date from the late 18th or early 19th century, is a square, crenelated, brick and stone tower with an arched opening. It acted as a focus for an extensive system of red-brick walled gardens, which has survived with some more modern additions.[7]

In today's England and North America, gazebos are typically built of wood and covered with standard roofing materials, such as shingles. Gazebos can be tent-style structures of poles covered by tensioned fabric. Gazebos may have screens to aid in the exclusion of flying insects.

Temporary gazebos are often set up in the campsites of music festivals in the United Kingdom, Canada and the United States, usually accompanying tents around them.

A structure resembling a gazebo, found in villages in the Maldives, is known as a holhuashi.[8]

Gazebo-like structures:

Examples:

Directions for use: Take gumex-s on the fingertip and massage 2-3 times daily on the affected gum or as directed by the physician You can massage, brush and gargle with Gumex mouthwash For gargling, dilution ratio is: 1 teaspoonful of gumex in 20 ml of water Use under medical supervision

Bhailo and Deusi, collectively known as Deusi/Bhailo, are traditional folk songs sung during the Tihar festival in Nepal as well as in Darjeeling hills, Sikkim, Assam, and some other parts of India among Nepali diaspora.[1] Children as well as adults perform Deusi/Bhailo by singing songs and dancing as they go to various homes in their community, collecting money, sweets and food and giving blessings for prosperity.[2]

Bhailo is generally performed by girls and women on the night of Lakshmi Puja whereas Deusi is performed by boys and men on the following night. Although in recent years, mixed groups perform it collectively on either of the two nights or both. The girls performing Bhailo are called Bhailini and the boys performing Deusi are called Deuse. At the end of these songs, the house owner serves food and gives money to the Deusi/Bhailo singers and dancers. In return, the Deusi/Bhailo team gives blessings of good fortune and prosperity.[3][4][5]

There exists three major stories about the origin of the practice of performing Deusi/Bhailo. The stories varies according to the places and ethnic groups. The three stories are given as:

According to Hindu mythology, King Mahabali, the great grandson of Hiranyakashipu, the grandson of Prahlada and the son of Virochana was a very generous and intelligent Daitya king of Patala.[6] He once defeated Devas and their king Indra and claimed the throne of Devaloka (heaven). The Devas then went to Lord Vishnu seeking help. After his victory, King Bali decided to perform Ashvamedha ritual. While the ritual was being performed, Lord Vishnu appeared before Bali in his dwarf priest avatar, Vamana. It was customary to donate to a priest or sage during rituals. So, the king asked Vamana to make his wish. Vamana asked for three feet of land. King Bali agreed to donate three feet of land to the Vamana priest.

Vamana placed his first step but he began to expand in size. He became so big that his single foot covered the whole Earth. The second step covered the Devaloka (heaven). There was no place for Vamana to place his third step. So, the king offered his own head to Vamana to place the third step. As Vamana placed his foot on Bali's head, Bali collapsed back to Patala Loka (subterranean realms). King Bali then asked a wish with Vamana, to be able to ascend to Mṛtyuloka (the world of the dead). Lord Vishnu allowed King Bali to be able to ascend to Mṛtyuloka for five days on Yama Panchak.

The people then started performing Deusi in honour of Mahabali's generosity. The word Deusire is said to originated from the words Deu and sire, translating to give and head, in Nepali language. In Bhailo too, a verse in the song refers to King Bali.[7][8]

According to another story, there once lived a pregnant woman and she arrived in a place named Kallai in the present day Jumla district of Nepal. According to Jagaman Gurung, a cultural expert, the woman might have been involved in an incest or other taboo activity and hence fled her home and arrived in Kallai. Later, the woman gave birth to a son named Bali. The Khas reign in Jumla had fallen and there was no ruler. One day, a sage named Chandannath arrived at that place and found Bali to be worthy as a ruler. He declared Bali as the king of Jumla. Bali's dynasty later became the Kallala dynasty. During his rule, slavery was practiced. Poor people would sacrifice their children at the temple. But later the practice changed and people would offer their children to the temple to live as Devdas (lit. male slave of god) and Devdasi (lit. female slave of god). Once every year, the king would permit the Devdas and Devdasi to visit the village and receive offering from them. So, the Devdasi went to sing 'Bhailo' (from the Nepali word Bhalo, meaning wellness) and the Devdas would sing 'Devdas Re'. The practice later become the Deusi/Bhailo tradition.[9][10]

Another variation of the legend attributes the origin of the tradition to the battle between Baliraja of Jumla and Timur during the 14th century. After defeat of Baliraja in the war, the song and dance is said to have performed to collect taxes from the people by the king.[11]

According to another legend, the origin of this tradition is attributed to Magar people. In Magar community, Bhailo is known as Garra Bhailo. Once when Balihang, the king of Palpa is said to be threatened by Kāla (Death). So, in order to avoid Kāla, he order his subjects to decorate and light up their houses and to sing 'Failo' (lit. he survived). Observing the devotion of the people to their king, Kāla is said to return back without taking the king with him. And hence, the tradition is said to have continued every year.[11]

The Deusi/Bhailo programme provides cultural entertainment by a group of men and/or women who move around their local area singing the Deusi/Bhailo song and other songs. The group is usually composed of a lead chanter/singer and a chorus group and sometimes additional participants such as musicians and dancers. The lead chanter/singer wishes blessings upon the owners of the house where the team visits. Traditionally, the programme is all live and uses minimal electronic instruments. The entire programme can last from about 10 minutes to half an hour in one house. Then the group moves to another location to perform.

The programme is held on the third and fourth days of Tihar, where Bhailo is performed on the third day (Laxmi Puja) and Deusi is performed on the fourth day (Gowardhan Puja).[12][13]

During Deusi/Bhailo, children as well as adults visit the houses in their neighbourhood and villages, The songs sung during Deusi/Bhailo are mostly blessings for the house owner. The singers sing about the hardship they endured to reach the house and give blessing to the house owner.[14] The lyrics may also contain humorous reference to house owner.

In the Deusi performance, a leader of the group sings the main line whereas other members repeat "Deusi Re" after each line. In the Bhailo performance, the whole group sings in a unison.

A typical Bhailo verse is given as:[15]

1. Title: this signifies the nature of the agreement between the parties
2. Date of execution and effective date: the date of execution is one on which parties agree to execute or sign the agreement
3. Parties: Names and address of the parties

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