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Guido di Pietro, better known as Fra Angelico or Fra Angelico, O. P. ​ (Vicchio, province of Florence, around 1395 - Rome, March 18, 1455), was an Italian 14th century painter. who knew how to combine the life of a Dominican friar with that of an accomplished painter. He was beatified by John Paul II. There is a new entry in the series.

The nickname Fra Angelico was given to the artist posthumously due to his religiosity.

He was born in Vicchio, Tuscany region and had a secular name.

It is believed that he began his artistic career as an illuminer for religious books, although it is not known who was his teacher. He began to paint tables and altarpieces. In 1417, he was already painting sacred art.

He and his brother entered a Dominican convent in 1420. In 1423 he was already a friar.

He took the name of John of Saint Dominic.

The Madonna of the Star is one of the most important works of its beginnings. 1428-1433, San Marco, Florence), the Fiesole Altarpiece (still preserved in said convent, although much modified by Lorenzo di Credi) and its predella , Christ in glory surrounded by saints and angels (National Gallery, London), in which more than 250 different figures are painted.

The Universal Judgment and The Coronation of the Virgin are both works from that period. His style is first appreciated in the Madonna dei Linaioli (1433, San Marco), where he paints a series of angels playing music.

The Dominicans from Fiesole moved into the convent of San Marco in Florence in 1436. Fra Angelico painted frescoes in the cloister, chapter house, and the entrances to the twenty friars' cells. The Crucifixion, The Pilgrim Christ, and The Transfiguration are some of the most impressive. The altarpiece was made for San Marcos. The Virgin accompanied by angels and saints is one of the first representations of a sacred conversation.

There was a painting there.

The Vatican's Sacramento Chapel, where Fra Angelico painted some frescoes in 1445, is no longer standing.

He painted the frescoes in the Orvieto Cathedral.

The Nicolina Chapel frescoes were made in the Apostolic Palace and depict episodes from the lives of Saint Lawrence and Saint Stephen, and were painted by assistants after designs by the master. Fra Angelico was the prior of his convent from 1349.

The main Dominican convent in Rome was the subject of his last fresco decoration. Juan de Torquemada designed the iconographic program, which Fra Angelico knew from his stay in Florence in the 1430s. He was buried in a chapel of the basilica after he died in that convent.

Fra Angelico combined the decorative elegance of the Gothic, particularly the International Gothic of Gentile da Fabriano, with the more realistic style of other Renaissance masters, such as the painter Masaccio and the sculptors Ghiberti and Donatello, working in Florence, and also applied the theories about the perspective of León Battista Alberti.

The use of colour and the expressions of devotion on the faces are accomplished and give the work greater emotional intensity.

His mastery in the creation of monumental figures, in the representation of movement and in the ability to create planes of depth through linear perspective, especially in the frescoes produced in Rome, confirm him as one of the most important painters of the early Renaissance.

Giorgio Vasari in his book Life of the best painters, sculptors and architects refers to him as Fra Giovanni Angelico, possessor of a "rare and perfect talent", and mentions that "he never raised the brush without saying a prayer or painted the crucifix without tears rolling down her cheeks.

Fra Angelico's works are attributed in Spain.

The Museo del Prado in Madrid has two of his most representative works, both from a fairly early phase of his production. The Prado is included in the reference collections to know his work.

The altarpiece of The Annunciation, made for the Dominican convent of Fiesole, was donated to the museum by the Spanish Crown in the 19th century. This work was given to the first Duke of Lerma in Italy, which explains its presence in Spain two centuries before the primitive Italians gained esteem in the international market.

The Duke of Alba sold the Virgin of Granada to the State in January 2016 and it is a work from 1426 The Liria palace was where this work was kept by the Alba family. The purchase price of La Virgen de la Granada was 18 million euros, which was paid by the Spanish State, the Prado Museum and the Friends of the Prado Museum Foundation.

The Duke of Alba donated a predella that experts from the Madrid art gallery have certified as a work from Fra's own brush, as part of the purchase operation. The Prado Museum would have three works by the Italian artist, one of which is a scene from the burial of San Antonio Abad.

The Virgin of Humility, which was painted in the artist's full maturity between 1433 and 1435, was purchased by the Spanish State in 1993 from the Thyssen family. It is on display at the MNAC in Barcelona.

There is a Crucifix with figures of saints in the treasure room of the cathedral of Toledo, which is of great quality and which shows all the characteristics of the painter from Fiesole.